MEMORY
A material that keeps the shape of what happened to it.
Synthetic film / vertical study
The subject is not the event; it is the record the event leaves behind. We shot the aftermath and let the audience reconstruct the cause, which they do faster than any establishing shot could.
Slowest of the four. Nothing enters the frame after the first second — the change is entirely in the surface.
A held frame we return to whenever a piece is over-explaining itself.
SPECIMEN